funding updates

NEH Grant Application

We recently submitted a grant application to the National Endowment for the Humanities and wanted to share with our readers the project narrative for ZineCat. Take a look below to learn more about our evolving project, or you can check out a copy of our application that we’ve shared on Shared AuthorityVol. 2.5 here.


The Zine Union Catalog (ZineCat) is a shared catalog dedicated to zines. A zine, short for fanzine or magazine, is a DIY publishing medium traditionally used by subculture communities for sharing their lives and knowledge. A shared catalog is a resource where libraries can mingle cataloging and holdings information. Zines are primary sources for humanities, social sciences, and other fields, but due to the diverse standards and practices among libraries, archives, and community organizations that collect and maintain them, accessing zines through traditional research discovery systems has been challenging. ZineCat empowers researchers to discover zine holdings by searching a single catalog, helps librarians copy catalog records to eliminate duplication of effort, and facilitates lending. ZineCat serves educators, researchers, librarians, archivists, zine makers, and anyone with an interest in zines. 

Index card titled "What is a Zine? [Star] My Definition:" with the definition: "For me a zine is not just a self-made and self-published booklet but it is also situated within DIY culture. This means it is non-profit, non-commercial, low-budget, and non-competitive. Topics and styles can vary but it's important that zines remain accessible, both to readers (everyone can afford to buy or trade them) and to writers (everyone can make them). Zine don't exist as little paper islands but they are connected and blossom within a mutually supportive zine community."
Scissors & Chainsaws No. 2 : Diary Comic Zine Made in July 2020 During International Zine Month. Ghent, Belgium: Nina Nijsten, 2020.

ZineCat contains three primary components:

  • Catalog records for zine titles (descriptive metadata), which give identifying (title, creator name(s), production date and location) and contextual information (subjects, genres, abstracts, biographical and historical details)
  • Holdings information (details about libraries that hold specific issues)
  • Digitized and/or digital content when available

Developed by Jenna Freedman (Barnard College) and Lauren Kehoe (NYU) in our MA Digital Humanities (MADH) program at the City University of New York Graduate Center (CUNYGC), ZineCat’s prototype combined into a Collective Access catalog3 thirty records each from three libraries with different metadata schema: MARC, Dublin Core, and an 18-column spreadsheet. The prototype has grown to include almost 34,000 zines from eight collections with more ingests in progress. 

The zine library community values cooperation and intentionality, so we need to match the prototype growth in concert with improved infrastructure and participant collaboration systems. NEH funding creates space for deliberation, care, and clarity as we unite our catalogers and contributors in person. The grant will enable us to accomplish this necessary next step.


Zines provide firsthand accounts of social, political, economic, and cultural experiences and insight that, unlike journalism and academic scholarship, are not filtered through gatekeepers or formal editorial structures. They are produced in small runs and are often distributed by the author(s). Zines facilitate knowledge production and dissemination within marginalized, racialized, and socially alternative communities that have been overlooked or excluded by cultural heritage institutions. They are used as primary sources by students, journalists, scholars, and anyone interested in material culture, print culture, and book history. Topics represented in zines, zine culture, and zine topics, include, but are not limited to: girlhood, music fandom, homophobia in high school, people of color in punk, the Michigan Womyn’s Music Festival, midwifery, the evolution of desktop publishing, self-publishing as activism, reactions to 9/11, fat activism, and pandemic life.

Even before they were called zines or fanzines, self-publications were a mechanism for people holding marginalized identities to share their experiences with people of similar or questioning identities, and others. The 1926 Fire!! Devoted to Younger Negro Artists by Wallace Thurman, et al. and Vice Versa, launched by Lisa Ben (an anagram for lesbian) in 1947, are forerunners. Zine movements have been accurately characterized as heavily populated by white people,  despite the contributions of Black, Indigenous, and People of Color (BIPOC) creators throughout zine history, but in recent years zine culture has become significantly more representative. For example, the NYC Feminist Zinefest, held at Barnard College annually since 2014 (on hold due to Covid), has had a steady grown in BIPOC tabler presence each year. In 2020, more than 50 percent of the tables were to be staffed by individuals and groups of color. 

Perhaps because zines exist in counter cultural spaces, they were first collected and circulated by independent zine libraries. By the early 21st century, public libraries, special collections, and academic library workers began collecting zines as research resources and as part of leisure reading collections. This hybrid environment of zine collections translates to dispersed and varied mechanisms for access. Zine descriptions and metadata, and thus discovery of zines, are strewn across library catalogs, archival finding aids, standalone databases, spreadsheets, print handouts, and proprietary online platforms. This multiplicity poses impediments to finding and using zines in aggregate for research, teaching, and learning. ZineCat saves a reader’s time by collocating metadata from these disparate sources.

Zine librarians field personal and research questions from people looking to find themselves represented on library shelves, to discover others who share cultural shorthands, or who have experienced the same joys and torments. ZineCat will host holdings from any and all collections that wish to participate and will become an essential resource for answering lay and scholarly inquiries. 

By harmonizing metadata rather than standardizing it, ZineCat allows the zine community to preserve its diversity and leave control over represented words, images, and ideas to the original makers, a hallmark of zine culture.” Control over one’s words, images, and ideas is a hallmark of zine culture. For example, in the appendix, we have included a table of descriptors of one zine held at six different libraries. Each record for Doris by Cindy Ovenrack Crabb is notably different from the others. Some contain narratives in addition to basic metadata. The metadata do not always agree, even with regard to the author’s name. Doris, a serial with several distinctly titled issues, is variously cataloged as a serial and a monograph. For a zine like Doris, ZineCat will serve as a hub for information, connecting but not necessarily overlaying serial, monograph, and finding aid records.

miscellaneous zine librarians

Zine Subject Thesaurus

Last week we discussed the Homosaurus, so we thought we should also feature the similarly important work being done by Anchor Archive! For those who don’t know, Anchor Archive uses its own customized thesaurus of subject terms (or keywords) to describe zines in their collection. They developed it between 2008 through 2013 because they wanted to use subject terms that were more accessible, current, and radical than standard subject headings, like the Library of Congress Subject Headings. This Zine Subject Thesaurus is used by other zine libraries and zine collections around the world, including at ZineCat!

Black and white logo of Anchor Archive Zine Library which features a typewriter on an anchor in the center, framed by hand-drawn stars.

You can find the full Zine Subject Thesaurus here. The Anchor Archive is currently updating its thesaurus in collaboration with other zine librarians. Please do get in touch if you would like to get involved. Email them at anchorarchive AT and follow them on Instagram @anchor_archive.

miscellaneous zine librarians

Support the Homosaurus

A dinosaur stands in front of a rainbow with "Homosaurus" written in bright pink below it.

Last month at the Zines + Libraries Conference, we learned about the incredible work of The Homosaurus. The Homosaurus is an international linked data vocabulary of LGBTQ terms that supports improved access to LGBTQ resources within cultural institutions. Designed to serve as a companion to broad subject term vocabularies, the Homosaurus is a robust and cutting-edge vocabulary of LGBTQ-specific terminology that enhances the discoverability of LGBTQ resources. 

This vocabulary is intended to function as a companion to broad subject term vocabularies, such as the Library of Congress Subject Headings. Libraries, archives, museums, and other institutions are encouraged to use the Homosaurus to support LGBTQ research.

To support the project, purchase a shirt from their online shop! T-shirts are currently on sale for $15 until tomorrow (8/10) at 5pm CT.

White t-shirt featuring the Homosaurus logo of a dinosaur in front of a rainbow.
This t-shirt could be yours! Purchase at their online store. All sale proceeds are used to support the project or are donated to LGBTQ+ organizations.